hdr_mcs.gif

FOUNDATION COURSE FAQ's

foundation faq web

| Calendar of Events |Home | Acting Workshops | About MCC

When is the next FOUNDATION INTENSIVE?
There are 2 upcoming events: the Foundations in Acting with Michael Chekhov Techniques on May 30-31 which will introduce/review the first half of the whole Foundation Course. The Second Program is The 16th Annual Chekhov Theatre Institute.

*The Contents of Our Foundation Intensive Weekend are integrated into our week long intensive July 26-July 31/Aug. 1, 2009.
Registration is now open!
Offering over 48/54 intensive hours over one week, culminating in a work-in-progress sharing of scenes from The Royal Family. $685/825 before June 30. See Link for July 26-31/1 Intensive at bottom of this page.

Why take this Chekhov Foundation Course?

   
       "Lisa is one of the most talented acting coaches I have had the privilege to work with in a long time. Her techniques, passion and love for her work not only prepared me for my auditions but released the fear so I could truly live in the moment and as a result booked two Theatrical Release Film Roles in 3 months. I continue to recommend her to my peers as one of the most gifted coaches in our industry."
               Mary Jean Bentley, SAG DFW Actor-Producer


Imagine creating powerful emotional action driven performances with a physical expression unique to each character yet filled with your creative individuality. No more repeating the same expression of joy, fear, sorrow and anger. Do you express your feelings just like everyone else does? Of course not, so why would all of your characters express the same way? Won’t you loose interest in repeating the same stuff year after year in show after show? Isn’t is exciting to see what Hopkins is going to do with his next role? Or how Depp is playing his next character?
Imagine reading the script, instantly knowing how to perform it and then actually giving the performance as fully as you envisioned! Don’t you just hate when you go to do what you know is great and it just doesn’t come out at all the way you meant? I think it is one of the most painful moments for an actor. You knew what it could be yet it didn’t happen and you don’t know why. Imagine that never happening again!
Imagine the freedom from the fear of sinking to an uninspiring partner--being able to act in direct truthful response to your partner REGARDLESS of whether they are giving what you want or need for the scene! This is imperative for casting meetings and on-camera shoots where your partner may not be available.
Imagine feeling deep joy in your choice to be an actor, Deep Respect for yourself, powerful love for your industry and the impact we make on the world. Are you ever hesitant to speak of yourself as an actor? Why would we ever want to hesitate to speak of what we love?
Imagine that your LOVE of Acting is your greatest tool towards peak performance and peak living! It is the key to creating relationships that build and sustain your career as well as your spring board into “the Zone!”

These are the gifts of Michael Chekhov's Work
as Lisa Dalton brings them into this world.


Imagine being able to understand the mystery of what you do through peak performance research in acting, science, medicine, sports and other venues. Upon understanding what it is you do instinctively in those amazing "high" points, you can then call upon those resources at any time.
Imagine capturing all the multitude of elements of time, place and event into one single image. That is Atmosphere. One single point of focus triggers the “flow”.
Imagine doing one movement with your body and imagination that instantly transforms you from your casual everyday self into the thoughts, feelings, desires and body of the character. That's The Psychological Gesture. One moment you are hanging out at Craft Services, and the next moment, you are fully in character delivering a mesmerizing performance. You are turning it on and off just like a Champion boxer does. This creates the most efficient use of energy - a concept always present in Peak Performance. Can you imagine never having to hang on to the character unnecessarily- never fearing not finding it again?
Imagine your life as a performing artist being completely free of ever worrying about whether you are going to "Feel" the moment! Use Michael Chekhov’s Sensations and Qualities for a pain-free consistent and reliable emotional life. Did you know that five minutes spent recalling a frustrating event in your life lowers your immune system for over 6 hours.(www.heartmath.com)!
Imagine knowing that the healthier your life is, the more likely you will be to recognize and express your instincts! No more worry about needing a lousy life in order to have memories to resource. Use your limitless imagination to “act, my dear”. After all, does Bambi, Nemo or Shrek have a real past to recall? NO--they are cartoons...and still they awaken our deep emotional responses. Did you need to recall your past when you played as a child? NO--you turned your superpowers off and on like a faucet. Restore your childlike flexibility of imagination.
Imagine stepping in front of a blue or green screen with no real partner and acting fully and confidently. Imaginary Body, Centers (used by Helen Hunt, Marissa Tomei, Clint Eastwood) and other Characterization tools use Chekhov’s imagination techniques.


ALL of these Imaginings can be REAL
when ever you are ready to make that happen!

The best way to begin mastery of these amazing tools used by Hopkins, Depp and many more, such as Psychological Gesture and Atmospheres, Transformational Characterization, and range of Styles is through the Foundation Course.

How else can I take the Foundation Course?

*Our 10 Hour Private or Semi-Private Foundation Course- for those who want to get started and finished and using these tools immediately, can be taken privately or semi-privately based on your schedule and the coach’s schedule- day times and some eves or weekends. $75 each hour. Pay per lesson. Save $25/hour with a ten hour commitment that can be taken in 2 or three hour blocks. Fast track does not include finale presentation and is paced at actor/coach preferred schedule. Out of town actor/directors can take it in two days.



How do I sign up?
This site will be set up to process your online registration. The fee will be $300, with a $100 deposit. The extended section of the Foundation FAQ’s link from the Calendar page of www.chekhov.net has details on how to best prepare.
Payment can be made in the form of Cash, money order or credit cards. Deposits/Payment in full can be in form of a check if received one week prior to the workshop. Online payment can be made with VISA, MC or AMEX for deposit or in full. Credit Card Charges will be approved prior to workshop and charged once the workshop begins. Checks will be cashed in advance to assure clearance.

A headshot consult can be done before or after the intensive. Doing it after will give you a certain amount of knowledge on how to prep for it. However, if you are in the immediate market to shoot before that we can do it before. I recommend that you wait til after the intensive as it is your best value unless you desperately need to have them now. Reading the headshotology article before scheduling a session is highly encouraged.

I will be setting up the website later today for the deposits and fees. Mail Checks made to :

Peak Performance Living
6101 Iron Horse Dr.
Ft. Worth, TX 76148

What if I can’t afford it?
How can you not afford it? What you invest now will give you success for a lifetime. How much is a successful career and happy home life worth to you?

There are so many actors with amazing talent and it is evident that talent and success are not equated. Those who are clear on their priorities will and do find a means to get the necessary tools for success. Before you go spending money on selling your product, be sure all of your product development is complete. Selling underdeveloped product fails to yield repeat customers. Believe that you can afford it and you will. Lisa offers extremely reasonable rates and rewards consistency. Many actors say they learn more in 10-16 hours of the Foundation Course than in 4 years of College Theatre. AGAIN, HOW CAN YOU AFFORD NOT TO? It’s what you love to do.

Additional Benefits of the Foundation Course:


BEST BARGAIN IN TOWN!!!!


The Foundation Course is the prerequisite for the Chekhov “In Action” Class where you apply what you have learned to all aspects of work in the Film and Television industry including on and off camera:
  • Cold Reading
  • Commercials
  • Sit-Com
  • Improvisation
  • Soap Opera
  • Film techniques
  • Career management and marketing.

Private Coaching for your casting meetings and shoots: Knowledge from your Foundation Course speeds up your sessions as you get better prepared for your casting meetings and jobs. It prepares you to respond to fast phone coaching as well.( a courtesy for regular clients when possible.)


Will this technique work for me?


If you are wondering whether this approach will work, consider reading Michael Chekhov’s Book, On the Technique of Acting. By the end of the second chapter- you should have a strong desire to go further into this or not. That’s the time to get into the Foundation Course. If you don’t have the desire, please try another path. Lisa is only interested in working with folks who are passionately committed to growth.

You can also examine your nature and ask whether you feel freer, safer and more creative working through “pretend” or “reality.” If you know kinesiology muscle testing you can check. Pretend folks usually love Chekhov.

If you have ever secretly pretended to have a memory or pretended to have someone in your life to substitute for the character, if you ever pretend your memory was worse than it was, to try to stir up your feelings or up your stakes, then you are probably a great candidate for this work.

What if I am just not a “reader”?

Listen to On Theatre and The Art of Acting, a Five hour CD series of Mr. Chekhov answering questions put forth from the Hollywood Community who trained with him in 1955. His Hollywood students included Yul Brynner, Gary Cooper, Anthony Quinn, Marilyn Monroe, Jack Palance, LLoyd and Dorothy Bridges, Patricia Neal. Film clips of these artist are included in the documentary “From Russia to Hollywood” which Lisa Dalton co-produced and co-shot. If you don’t read, listen or watch the award winning documentary which has aired on KCET several times.

What if I don’t understand it?


Reading about acting is a little like reading about playing golf or football or ballet. You really need a coach because it requires use of your body. Though you may not understand all of it as you read or listen or watch, your artistic nature will recognize a camaraderie with the approach or not. Most folks say “Hey, I used to do that and didn’t know it was an actual technique!” That’s because Mr. Chekhov based his theory on observing what actually happens in states of inspiration. By identifying the flow of energies consistently present, defining the universal principles at play, naming those energies in actors’ terms, he then created exercises by which we can instantly create the conditions most likely to favor inspiration. In short, Chekhov was doing what came naturally in a state of play, just like you used to do, right? Why not do that again?

If your artistic nature says “Hey, that sounds like Fun!” and if you are truly ready to commit to an amazing career and life, then Call us at 818 761 5404 to enroll now.

Why haven’t more people heard of his technique?

Chekhov was long considered the greatest actor ever by Stanislavski and the Russians today, Harold Clurman, Stella Adler, Herbert Berghoff, long admired by Meisner, Sonia Moore, Strasberg. Many books exist where these Masters speak of the inspiration Chekhov gave them, however, they didn’t know how to teach what he did. They mostly considered his genius as unteachable--strictly a gift. At the time, a concept like Chekhov’s visualization of the character, was highly unacceptable. Today this kind of imagery is used in nearly all facets of education, sales, athletic training, healing, and self empowerment. Lisa Dalton has singularly invested a tremendous amount of time researching the underlying principles and developing the teaching process of these ideas since 1980, while being a working actor/director. She has taught this work all over the world and has continued advancing the principles bringing them into practical application for today needs. Lisa is the acting coach on the new A & E Series “Spying on Myself.” She has recently coached actors and directors on films like “The Sensei” and “Monkeyflower.” Just this week, one of her students is acting with Anthony Hopkins and another with Clint Eastwood. She has clients on The Medium and Nickelodeon’s Ned’s Declassified. Numerous clients are working in commercials, episodic, studio and indie features.

Who else is using the Chekhov Technique?
Jodi Foster recently was the guest on Inside the Actors Studio and discovered that she had used Michael Chekhov's Psychological Gesture and never knew there was a name for it! Emmy winner James Spader studied the technique in New York with Blair Cutting. The Chekhov technique is more widely known in Europe and Russia than the US and the US educational system is ahead of the professional acting world in adding this technique to its curriculum. Four new publications have emerged within the last two years and one more is soon to be released: two biographies, rerelease of TO THE ACTOR, THE CD series and his Autobiography coming soon. surely this doubling of English language publications indicates that this work is the wave of the future. Mr. C. was working way ahead of his time- like Joe Pilates- both working after WW1, neither known by many until lately.

More questions?
E-mail us at info@chekhov.net

.

Home | Acting Workshops | About MCC

 
Teacher Training Certificate Track
 
Calendar of Events
 
Current Classes and Fees
 
Lisa Dalton's blog and activities
 
HEADSHOTOLOGY
 
NEW! Psychological Gesture
reprinted from
"ACTORS INK"

 
Products: Books, Tapes, Class Registration
 
A Path to Powerful Organic Acting
   
dvd.jpg Michael Chekhov Technique DVD Workout with Lisa Dalton
$59.95
This 62 minute DVD is designed for you to exercise The Chekhov Psycho-Physical Concepts with a group of colleagues led by Lisa Dalton. Based on the Chart for Inspired Acting in Mala Power's Preface of "On The Technique of Acting" by Michael Chekhov, (Harper), a menu offers the option to play all the way through, or to skip to specific exercises. Great for reviewing what you have learned or enhancing your understanding gathered from written and spoken Chekhov Materials. Order 2 or more and get free shipping!
[Add to Cart]  [View Cart]

 
Additional Articles on the Technique and the Teacher
   
Phone coaching
$75.00
One hour phone coaching with Lisa Dalton.
[Add to Cart]  [View Cart]

 
Chekhov in Los Angeles, 2009
 
TFW Graph for Quick Reference
 
Chart for Inspired Professional Meetings
 
17th Annual Chekhov Intensive Aug. 1-7, 2010
Special focus will be on
Chekhov's Chart for Inspired Acting
Application to Scenes
Application to Improvisation
Clear teaching structure
Analysis to Synthesis


 
Walking Across Egypt Review
Dear Colleagues,
We are two weeks away from our wonderfully exciting Chekhov Weekend Intensive on Mar. 8-9. 

This notice is to
:

  1. Introduce you to some revised details.
  2. Reconfirm information.
  3. Encourage you to select your Spoon River monologues and send me the name if you haven’t yet.
  4. Urge you to memorize your monologue per instructions on the website.
  5. Remind you that we try to keep the latest details updated at http://www.chekhov.net/store/page10.html
  6. Be sure to read the yellow section at the bottom of that page to know how to best prepare and select monologue.
     You will want to keep this, perhaps print it out, and please acknowledge you receipt of it so that we know you are up to date on our plans.
  Thanks! Lisa and Gail

THE REVISED DETAILS:
  1. We will meet at the Artisan Center Theatre in Hurst for our first day, Mar. 8 at 9 AM- 7 PM
           For directions, continue here or go to:
        http://www.artisanct.com/directions.asp
 2.   We will meet at Collin College, Spring Creek Campus, Plano for our Second Day, Mar. 9, at 1 PM. We will conclude at approximately 8:30 with our work in progress presentation at 7:30 PM. For basic directions, read on or See  www.ccccd.edu for more information.

3.   Please invite a guest or two to join us on Sunday at 7:30 PM in Plano. As this is “After hours” for the building, special directions follow here for where your guests will meet Gail, to be escorted to our workspace. PLEASE EXTEND THE NECESSARY DIRECTIONS TO YOUR GUESTS.

Directions to Artisan Center Theater for SATURDAY MAR. 8, 2008

404 E Pipeline Rd
Hurst, TX 76053
(In the Belaire Plaza)

Artisan Center Theater day time box office is in building at back of shopping center facing Pipeline and has BELAIRE letters on top. Artisan Center Theater's temporary "Apartment" theater is the 4th door to the left (glass doors and windows with ACT posters)

From Fort Worth:
Take 121/820 North to Pipeline exit - turn right (east) 2.4 miles to Brown Trail - Cross Brown Trail and turn right, into the Belaire Shopping Center
From DFW Airport:

Take Airport Freeway (183) west from DFW Airport - Exit Bedford Road - Turn left, go under the freeway 0.7 miles to Brown Trail (2nd light) - Turn left 0.5 miles to Pipeline Road - Jog left then right, into the Belaire Shopping Center.

From I-35 W:
At I-35 and 820, go east on 820 - exit Norwood Drive/Brown Trail - Stay on service road 1/2 mile to Brown Trail, Turn right (south) 1.2 miles to the junction with Pipeline - Jog left then right, into the Belaire Shopping Center


DIRECTIONS TO COLLIN COLLEGE for SUNDAY Mar. 9, 2008 @  1:00 PM
Spring Creek Campus,  in PLANO. See  www.ccccd.edu for more information.

75 NORTH to SPRING CREEK PARKWAY exit.  (The exits are: 15th Street, Park, Parker, SPRING CREEK).

RIGHT (east) onto SPRING CREEK to JUPITER (2nd light after turning, at the Plano Center on the hill).

RIGHT onto JUPITER.

LEFT into the campus (just past the Oakpointe Center, at the student apartments).

IMMEDIATE RIGHT onto college access road.

LEFT into campus PARKING LOT.

The college is one big mall-like building.  Park close to the entrance in the middle of the complex, near the outdoor fountain.

You will enter a huge atrium.  The sections of the building are in alphabetical sequence, A to K.  If you come in on the Jupiter side of the building near the John Anthony theatre you will proceed to the main "hall"  (you will see our library/Learning Resource Center), just past the INDOOR fountain.  Turn left.  

B 148 will come up on your left, at the beginning of a side corridor.  

I'll post signs to guide you.

TO THOSE COMING FOR THE PRESENTATION ONLY:  
The campus officially closes at 6 PM on Sunday and Security will lock the  exterior doors. HOWEVER, people will be striking a set onstage and you will be able to enter through the Scene Shop.  THIS WILL BE THE ONLY WAY INTO THE BUILDING.  The Shop loading dock and roll door  (which MAY be up)  are to the left of the main entrance,  at the end of a driveway that connects to the parking lot.  I will be there at 7:20  to greet you and will post signs and inform those working of our presentation.  

 
Gail Cronauer

www.gailcronauer.com

Lisa Dalton  818 761 5404 C
 







Lisa Dalton Studios, Inc.
818 761-5404
chekhov@sbcglobal.net
www.chekhov.net

March 8-9, 2008
DFW METROPLEX

The Chekhov Foundation Intensive Preparation Guidelines:

Thank you for your interest in the upcoming intensive. We will start on Saturday Morning at Artisan Center Theatre at 9:00 AM in Hurst.

Please arrive by 8:45 to complete registration, and allow additional time for parking and locating the Theatre.  

On Sunday, we will begin at 1 PM at the Collin College in Plano.

Parking, Directions and other logistical details are in the green box above and will be sent to you upon reciept of your deposit.

OUR GOALS:
First and foremost, our goals in the intensive are to give you a solid foundation in Michael Chekhov’s acting techniques as outlined in the Preface of On the Technique of Acting.

Second, you will have the opportunity to apply these ideas to a monologue from Spoon River Anthology by Edgar Lee Masters. You may select your own or ask us for a recommendation. Please let me know. These will be presented at 7:30 pm on Sunday, Mar. 9 at the Collin College, to the guests you invite. You will present your monologue twice, using a variety of the tools acquired in our workshop. The aim will be to see how differently they can be done using these techniques. We need not worry about making these the “best” as our goal is to experiment in a safe environment. 

Additionally, you will learn about the biography of Michael Chekhov and how it influenced the development of the technique, the role of the Michael Chekhov Technique in the world of actor training, and the significance of it in the development of humanity.

TENTATIVE SCHEDULE:
Saturday at Artisan Center Theatre in Hurst :
9 AM        Technique           to 7 PM
Lunch Break at 1:30-2:30 

Sunday at Collin College, Plano:
12:30 PM - 4 PM:    Technique Training
4 PM - 4:30 PM:       Lunch(Bring own.)
4:30  -  7:15                Techniques and Rehearsal.
7:15                            Guests Arrive.

7:30 PM                     Work- In- Progress
8:30                            Conclusion


HOW TO PREPARE TO GAIN THE MOST FROM THIS WEEKEND:

Please read “ON THE TECHNIQUE OF ACTING” by Michael Chekhov. This can be found used on the web at various sites.

Please memorize a Spoon River Anthology Monologue by Edgar Lee Masters and bring a copy with you each day. These can be found at http://www.bartleby.com/84/index1.html

BRING WATER AND SNACKS

BE WELLLLLLL RESTED before you come.

Prep your mind-Reading Michael Chekhov’s work “on the Technique of Acting” will help you integrate the concepts more deeply. Bring questions with you.
Prep your body-Spend some time loosening your body and stretching for the week or two before if you are not regularly physically active. Eat well and Get plenty of rest before you come and don’t make any plans for the whole weekend. You will be receiving an “intense” experience and want to be in good physical condition. Any physical limitations you have can be accommodated (wheel chairs, bad backs, knee injuries, etc.). Please clearly state to Lisa before beginning.
Prep your monologue-Please try to memorize your Spoon River Monologue with no interpretation, using slow and fast speeds, changing where you pause, eliminating all punctuation, monotone, sing song, etc. If you memorize with a set rhythm or meaning, you will increase the difficulty of integrating the new tools as they will inspire their own meaning and rhythm. You will be allowed to read the monologue if necessary, however, your strongest experience with the technique will be to be free of the paper.
Invite someone to the sharing at 7:30 PM on Sunday. Please bring pictures and resumes, a note book/journal to which you can add handouts.
I will try to provide some snacks for breaks, but you should provide bottled water, beverage of choice. Hot water, coffee makers, may be available. You can rest and hang in the space during meal breaks, though meal times may be used to continue discussion of the work.
Please wear workout style- loose clothing for class.  Plan on working in soft soled shoes, barefoot or in socks. Sneakers, running shoes, boots, heels are all discouraged.

For Monologue presentation on Sunday, wear black pants/skirt and solid color shirt, black shoes and socks.

The class size is limited to 20 new students
with a $100 deposit to reserve space. The Balance of $200 will be due at 8:45 AM on Saturday. Payment may be made in the form of cash, money order, check or VISA, MC or American Express. If possible, to use a credit card, please notify me in advance so I can authorize and complete the transaction over the phone or via the internet. Credit Card transactions will be made through Lisa Dalton Studios.
Please feel free to contact me with any questions. 818 761 5404 is cell. chekhov@sbcglobal.net is email
Or  email our course producer, Gail Cronauer at cronhoug@flash.net


WHERE:
Sat. March 8, 2008 at Collin College
Sun. March 9, 2008 at Artisan Center Theatre, Hurst

Please bring your most playful self to the workshop and
LET’S HAVE A GREAT TIME!


LISA DALTON  and GAIL CRONAUER



e-mail
info@chekhov.net
foundation faq web

| Calendar of Events |Home | Acting Workshops | About MCC