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Home | Books & Tapes | Acting Workshops | About MCC INTERNATIONAL
CONFERENCE Institut de
Recherches en Etudes Théâtrales (IRET), Paris
III-Sorbonne nouvelle Atelier de
recherches sur l’intermédialité et les arts du spectacle (ARIAS), CNRS-Paris
III-ENS Mikhaïl Tchekhov/ Michael Chekhov From Moscow to Hollywood. From Stage to Screen 24-29
septembre 2007 ► Workshop : September 24-26,
2007, directed by Patrick PEZIN (Les Voies de
l’acteur), with Lisa Dalton (USA), Gitis Padegymas (Lithuania), Oleg
Koudriachov (Russia) ►Scholar’s symposium : September 27-29, 2007, Auditorium of the
Institut National d’Histoire de l’Art (INHA), organized by Marie-Christine
AUTANT-MATHIEU (Atelier de Recherches sur l’Intermédialité et les arts du
Spectacle /ARIAS, CNRS) et Christine HAMON-SIREJOLS (Université Paris
III-Sorbonne Nouvelle) Thursday, September 27 : Reconstructing the way. Archive and
Testimonies 9h : Official opening of the Symposium 9h30 Chair : Jean-Loup BOURGET (ARIAS, ENS), Anatoli SMELIANSKI
(Studio-School of The
Moscow Art Theatre) The Path of an Actor ► A Citizen of the World. Prospero or Ariel? (Liisa
Byckling, Renvall Institute, University of Helsinki, Finland) ►The Revizor’s Irreality and Chekhov’s
Khlestakov (Laurence Senelick, Tufts University, USA) 10h30. Coffee Break ►Chekhov and Biely : From Eurythmy to the
Stage Adaptation of Peterburg (Christine Hamon-Siréjols, Paris III-Sorbonne Nouvelle) ►Self-Transmission: M. Chekhov’s Autobiography (Hélène
Henry, Paris IV-Sorbonne) ►The Expected but Unplayed Roles : Lear
et Don Quichotte (M.-C. Autant-Mathieu, ARIAS, CNRS) 13h Lunch: restaurant INHA 14h-18h Chair : Georges
BANU (University of
Paris III-Sorbonne Nouvelle), Hélène HENRY (Paris IV-Sorbonne) What Archive reveals ►Chehov’s Russian Archive and Editing Problems
(Marina Ivanova, Chtchoukine Institute, Moscow) ►Chekhov and Vakhtangov at the First Studio. (Vladislav
Ivanov, National Institute of Art History, Moscow) ► M. Chekhov’s Acting Seen from the Audience
(Maria Khalizeva, National Institute of Art History, Moscow) 15h30. Coffee Break ►Drawings, Colours, Figures: the M. Chekhov’s Psychology
of Image (Stéphane Poliakov, Université Lyon-2) ►A Russian Actor in Berlin : M. Chekhov
Plays in Reinhardt’s Productions (Marielle Silhouette, Paris IV-Sorbonne) ►The Castle Awakens: an original drama betrayed by its creators
(Gérard Abensour, INALCO/ENS) ►The Actor – an Emotional Machine. A Comparison
of Stanislavski’s System, Chekhov’s Method and Meyerhold’s Biomechanics (Rose
Whyman, University of Birmingham) Friday, September 28 : The Master and his Disciples.
The Teaching Link 9h30 -13h Chair : Jean-François DUSIGNE (University
of Picardie Jules Verne), Laurence SENELICK (Tufts University, USA) The Master and his disciples ►Stanislavski, the spiritual Father (Anatoli
Smelianski, Studio-School of the Moscow Art Theatre) ►M. Chekhov : From Stanislavski’s System to
His own Technique of Acting (Andreï Kirillov, Russian Institute of Art History,
Saint-Petersbourg) 10h30. Coffee Break ►Radiation and Irradiation. M. Chekhov and
Stanislavski (Andrew White, University of Valparaiso, USA) ►Atmospheres, Improvisations and
Self-Transformation : M. Chekhov and Maria Knebel (Sharon Carnicke,
University of South California) ►Chekhov and Meyerhold (Béatrice Picon-Vallin,
ARIAS, CNRS) 13h Lunch:
restaurant INHA 14h-18h Chair : Gérard ABENSOUR (ENS-Lyon/INALCO, Paris, Liisa
BYCKLING (Renvall
Institute, University of Helsinki) Transmission : What and
How ? ►Chekhov and Žilinkas. The Lithuanian Years (Ina Pukelite,
University of Kaunas, Lithuania) ►Chekhov, Stage Director in Riga (Silvja Radzobe,
University of Riga, Latvia) ►The Emergence of Chekhov’s Creative Method
during his Work in Lithuania (Gytis Padegimas, University of Klaipeda,
Lithuania) 15h30. Coffee Break ►M. Chekhov and the Question of Creativity
(Franc Chamberlain, University College Cork, Ireland) ►Alice Crowther, a Steiner’s disciple in
Dartington Hall (Graham Dixon, The Michael Chekhov Studio London, UK) ►From Utopia to Diaspora : M. Chekhov’s
Theatrical Experiments and Dartington Hall’s Exilic Perspectives (Yana Meerzon,
Ottawa University, Canada) Saturday, September 29 :
Chekhov’s Method Today Chair : Jean-Loup BOURGET (ARIAS, ENS) Chekhov as a Film Actor in Russia,
Germany and United States ►Chekhov, a Russian Chaplin ? (Valérie Pozner, Franco-Russian Research
Centre in the Social Sciences and the Humanities, Moscow) ►Chekhov on the German Screen or Is Charisma a National
Phenomenon ? (Oksana
Bulgakowa, Zentrum für Literatur- und Kulturforschung" (ZfL), Berlin) 10h30. Coffee Break ► Playing in Hollywood (Jacqueline Nacache,
University Paris VII) ►The « Lost » Hollywood Films (Mel
Gordon, University of Berkeley) 13h. Lunch:
restaurant INHA 14h-18h Panel chaired by Maria SHEVTSOVA (Goldsmiths College,
London) : Chekhov Today. ►The last Chekhov’s disciples and
their activity to day (Joanna Merlin, Michael Chekhov Association / MICHA, New
York) ►Demonstration of Three Sisters Sensations by Lisa Dalton (Acting Teacher, The
Chekhov Connection web site, Los Angeles) ►Demonstration of Master Classes in the
Michael Chekhov Technique (DVD, 2007) 15h 30 Pause ►Chekhov, His Method and the Russian School Today
(Anatoli Vassiliev) ►Practitioners speak (the list is opened) : Graham Dixon (The Michael
Chekhov Studio London), Victor Tkatchenko (M. Chekhov Studio, Ridgefield),
Gytis Padegimas (Lithuania), Jerri Daboo (Exeter, UK), Lembit Peterson
(Estonia), Patrick Pézin (France). ►Dialog-Performance
in three voices, by Jean-François Dusigne (Association de Recherche des
Traditions de l’acteur/ARTA, France) |
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Calendar of Events Based on the Chart For Inspired Acting from On The Technique of Acting. Cultivate trust in your creativity and strengthen your expression of it. This workshop will culminate in an ensemble work-in-progress performance of Scenes. at 7:00 PM on Aug. 23, 2008. Special focus will be on Chekhov's Chart for Inspired Acting Application to Scenes Application to Improvisation Clear teaching structure Analysis to Synthesis Scan the Foundation FAQ's and the TCU Information from the links to the left for more content information. |
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Sept. 24-26 Paris Seminar |
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e-mail info@chekhov.net |