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Home | Books & Tapes | Acting Workshops | About MCC INTERNATIONAL
CONFERENCE Institut de
Recherches en Etudes Th trales (IRET), Paris
III-Sorbonne nouvelle Atelier de
recherches sur l’interm dialit et les arts du spectacle (ARIAS), CNRS-Paris
III-ENS Mikha l Tchekhov/ Michael Chekhov From Moscow to Hollywood. From Stage to Screen 24-29
septembre 2007 ► Workshop : September 24-26,
2007, directed by Patrick PEZIN (Les Voies de
l’acteur), with Lisa Dalton (USA), Gitis Padegymas (Lithuania), Oleg
Koudriachov (Russia) ►Scholar’s symposium : September 27-29, 2007, Auditorium of the
Institut National d’Histoire de l’Art (INHA), organized by Marie-Christine
AUTANT-MATHIEU (Atelier de Recherches sur l’Interm dialit et les arts du
Spectacle /ARIAS, CNRS) et Christine HAMON-SIREJOLS (Universit Paris
III-Sorbonne Nouvelle) Thursday, September 27 : Reconstructing the way. Archive and
Testimonies 9h : Official opening of the Symposium 9h30 Chair : Jean-Loup BOURGET (ARIAS, ENS), Anatoli SMELIANSKI
(Studio-School of The
Moscow Art Theatre) The Path of an Actor ► A Citizen of the World. Prospero or Ariel? (Liisa
Byckling, Renvall Institute, University of Helsinki, Finland) ►The Revizor’s Irreality and Chekhov’s
Khlestakov (Laurence Senelick, Tufts University, USA) 10h30. Coffee Break ►Chekhov and Biely : From Eurythmy to the
Stage Adaptation of Peterburg (Christine Hamon-Sir jols, Paris III-Sorbonne Nouvelle) ►Self-Transmission: M. Chekhov’s Autobiography (H l ne
Henry, Paris IV-Sorbonne) ►The Expected but Unplayed Roles : Lear
et Don Quichotte (M.-C. Autant-Mathieu, ARIAS, CNRS) 13h Lunch: restaurant INHA 14h-18h Chair : Georges
BANU (University of
Paris III-Sorbonne Nouvelle), H l ne HENRY (Paris IV-Sorbonne) What Archive reveals ►Chehov’s Russian Archive and Editing Problems
(Marina Ivanova, Chtchoukine Institute, Moscow) ►Chekhov and Vakhtangov at the First Studio. (Vladislav
Ivanov, National Institute of Art History, Moscow) ► M. Chekhov’s Acting Seen from the Audience
(Maria Khalizeva, National Institute of Art History, Moscow) 15h30. Coffee Break ►Drawings, Colours, Figures: the M. Chekhov’s Psychology
of Image (St phane Poliakov, Universit Lyon-2) ►A Russian Actor in Berlin : M. Chekhov
Plays in Reinhardt’s Productions (Marielle Silhouette, Paris IV-Sorbonne) ►The Castle Awakens: an original drama betrayed by its creators
(G rard Abensour, INALCO/ENS) ►The Actor – an Emotional Machine. A Comparison
of Stanislavski’s System, Chekhov’s Method and Meyerhold’s Biomechanics (Rose
Whyman, University of Birmingham) Friday, September 28 : The Master and his Disciples.
The Teaching Link 9h30 -13h Chair : Jean-Fran ois DUSIGNE (University
of Picardie Jules Verne), Laurence SENELICK (Tufts University, USA) The Master and his disciples ►Stanislavski, the spiritual Father (Anatoli
Smelianski, Studio-School of the Moscow Art Theatre) ►M. Chekhov : From Stanislavski’s System to
His own Technique of Acting (Andre Kirillov, Russian Institute of Art History,
Saint-Petersbourg) 10h30. Coffee Break ►Radiation and Irradiation. M. Chekhov and
Stanislavski (Andrew White, University of Valparaiso, USA) ►Atmospheres, Improvisations and
Self-Transformation : M. Chekhov and Maria Knebel (Sharon Carnicke,
University of South California) ►Chekhov and Meyerhold (B atrice Picon-Vallin,
ARIAS, CNRS) 13h Lunch:
restaurant INHA 14h-18h Chair : G rard ABENSOUR (ENS-Lyon/INALCO, Paris, Liisa
BYCKLING (Renvall
Institute, University of Helsinki) Transmission : What and
How ? ►Chekhov and Žilinkas. The Lithuanian Years (Ina Pukelite,
University of Kaunas, Lithuania) ►Chekhov, Stage Director in Riga (Silvja Radzobe,
University of Riga, Latvia) ►The Emergence of Chekhov’s Creative Method
during his Work in Lithuania (Gytis Padegimas, University of Klaipeda,
Lithuania) 15h30. Coffee Break ►M. Chekhov and the Question of Creativity
(Franc Chamberlain, University College Cork, Ireland) ►Alice Crowther, a Steiner’s disciple in
Dartington Hall (Graham Dixon, The Michael Chekhov Studio London, UK) ►From Utopia to Diaspora : M. Chekhov’s
Theatrical Experiments and Dartington Hall’s Exilic Perspectives (Yana Meerzon,
Ottawa University, Canada) Saturday, September 29 :
Chekhov’s Method Today Chair : Jean-Loup BOURGET (ARIAS, ENS) Chekhov as a Film Actor in Russia,
Germany and United States ►Chekhov, a Russian Chaplin ? (Val rie Pozner, Franco-Russian Research
Centre in the Social Sciences and the Humanities, Moscow) ►Chekhov on the German Screen or Is Charisma a National
Phenomenon ? (Oksana
Bulgakowa, Zentrum für Literatur- und Kulturforschung" (ZfL), Berlin) 10h30. Coffee Break ► Playing in Hollywood (Jacqueline Nacache,
University Paris VII) ►The « Lost » Hollywood Films (Mel
Gordon, University of Berkeley) 13h. Lunch:
restaurant INHA 14h-18h Panel chaired by Maria SHEVTSOVA (Goldsmiths College,
London) : Chekhov Today. ►The last Chekhov’s disciples and
their activity to day (Joanna Merlin, Michael Chekhov Association / MICHA, New
York) ►Demonstration of Three Sisters Sensations by Lisa Dalton (Acting Teacher, The
Chekhov Connection web site, Los Angeles) ►Demonstration of Master Classes in the
Michael Chekhov Technique (DVD, 2007) 15h 30 Pause ►Chekhov, His Method and the Russian School Today
(Anatoli Vassiliev) ►Practitioners speak (the list is opened) : Graham Dixon (The Michael
Chekhov Studio London), Victor Tkatchenko (M. Chekhov Studio, Ridgefield),
Gytis Padegimas (Lithuania), Jerri Daboo (Exeter, UK), Lembit Peterson
(Estonia), Patrick P zin (France). ►Dialog-Performance
in three voices, by Jean-Fran ois Dusigne (Association de Recherche des
Traditions de l’acteur/ARTA, France) |
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Sept. 24-26 Paris Seminar |