|
The Shakespeare Guy
Home | |
Calendar of Events | Books &
Tapes | |
About MCC This page is dedicated to information about The Shakespeare Guy which premiered at the Dreamworks Employee Film Festival in April of 2004.
|
Director's Statement
As I track the body of work in my productions, I
can see in retrospect, that I have an obsession with humorously
rendering the flawed condition of interhuman communications.
In this
story, the Shakespeare Guy discovers an inner peace by redefining his
perceptions-his inner communication. A lesson we can all take into our
lives.
You know how sometimes things click? Well other times things dis-click!
This film is essentially a monologue of a guy experiencing a
"dis-click". He speaks in an elevated poetic Shakepearean style and
sees no reason to be concerned with the world's inability to relate.
And when his problematic communication skills lead him to being
cuckholded by his wife and scammed by his shrink, he manages through
his obsession with eloquent ranting to assuage his pain, emerge
joyfully renewed, and be, once again, desired by the game loving Mrs.
Shakespeare Guy.
I feel the viewer experiences the Shakespeare Guy himself in the same
way the rest of the characters in the story do. Most of those in the
story can not grasp the meaning behind the eloquent language- the
modern world disregards elevated and poetic communication via language.
What are those who, like Mr. Shakespeare Guy, have standards of bygone
eras, supposed to do? Compromise our ideals or can we in fact live in
an insular world where our personal perceptions define our pains and
our joys and in fact have no relationship to anything or anyone? Is Mr.
Shakepeare Guy's insulation any different than the ordinary person? Are
we all speaking what appears to be the same language and not
understanding the depth and meaning of any of it?
How did this get started?
This project began with my fortuitous meeting with Jonathan Phillips,
who had written a series of Shakespeare Guy monologues over ten years
earlier. Inspired by our mutual love of Michael Chekhov's Acting,
Writing and Directing theories, we set out to do a low budget
production applying the concepts to all aspects-casting, rewriting,
cinematography, acting, editing and producing. Michael Chekhov's
theories include the law of triplicity, feeling of ease, form, beauty,
wholeness, ensemble, dynamic rhythyms, creative characterization,
atmosphere, psychological gesture, rhythmic repetitions and additional
compositional elements. In each rehearsal and during the shoot, we
aimed for an easy going production atmosphere. We dug deeply into the
script to create the dynamics, to create the camera movement in harmony
with the atmosphere, to develop detailed characterizations of the
smallest part.
The entire Chekhov Connection Acting Company assisted as
crew along with doing supporting roles. We managed the whole shoot in
Studio City, Glendale and Pasadena in two days without ever losing our
feeling of ease. We chose to see every obstacle as an opportunity-see
anecdotes as an example!
Through Jonathan's skill and connections in post production(see his
bio), the musical talents of Zara and my computer, we were able
complete this film with production values that supersede the minute
budget.
We believe the spirit of Chekhov that we brought to the work lifts the
audience above the sum total of the individual parts, to a greater
delightful experience.
Production Notes
"The Coffee Machine Nearly Fried!"
Our entire third and
final scene revolved around the cappuccino coffee
machine with all of our shots and comedy bits surrounding the output of
the machine.
Our leading actress provided the machine, which proves to be her
livelihood when not acting and singing. We were on location at the
Dreamworks Animation Lot and needed long extension cords to power up
the machine. After finally securing enough stingers to reach, they
overheated and nearly fried the whole coffee machine, taking our
leading actress's livelihood along with our meager budget. We opted to
not have a functioning machine. This, however, ruined many images I had
for the scene, the sound and the bits. Fortunately our
Psychiatrist's wife was there to observe and managed to find us
several cans of whipped cream which filled the bill-perhaps even better
than the original plan!
|
The Shakespeare Guy
Are you really
happier living in your own little world?
Directed by Lisa Dalton
Cast
Name: Phillips, Jonathan (II)
Character: The Shakespeare Guy
Name: Leigh, Isabel
Character: Mrs. Shakespeare Guy
Name: Donald, Monty
Character: The Lover
Name: Eichler, Greg
Character: The Psychiatrist
Name: Morgan, David
Character: Howard the Tall coffee Server
Name: Ela, Kurt
Character: The Bug-Eyed coffee Server
Name: Dodge, Timothy J.
Character: Cal Haynes the Grandson
Name: Gales, J.J.
Character: Max Haynes. Alheimer Grandpa
Name: Shoaf, Jyl
Character: Mary Lynn the Poetry Lover
Name: Garrick, Bruce
Character: Mr. Gold the Exec
Name: Polizzi, Joshua
Character: Ron the Skater
Name: Loe, Jennifer
Character: Jalinda the Model
Name: Franklin, Matt (V)
Character: Frank the Mechanic
Name: Stamp, Joshua
Character: Scott the Sweeper
Name: Fausch, Melinda
Character: Diane the Diva
Name: Herbert, Russell
Character: Charles the Chatterer
Name: Dalton, Lisa
Character: Psychiatrist
Writer: Phillips, Jonathan (II)
Producers -
Dalton, Lisa
Phillips, Jonathan (II)
Cinematographers
Name: Lyon, Aaron
Name: Blotta, Luciano
Editor
Name: Phillips, Jonathan (II)
Running Times
Country: USA
Time: 14
Filming Locations:
Ferris Studios, North Hollywood, CA
Dreamworks, Burbank, CA
Pasadena, California, USA
Plot Outline
Text: The Shakespeare Guy dwells in his own world with his own poetic
means of living when life, his wife and her tennis pro send him into a
depression that drives him desperately to his psychiatrist. A
miraculous monologue of transformation leads to a healing that could
only appropriately be celebrated with a frothy mocha latte.
Plot Summary
Text: The Shakespeare Guy is a monologue transformed into a comedic
study in Characterization and atmosphere, made using Lisa Dalton
e-mail info@chekhov.net
|